(1674 -1750 ) - Painter   Related Paintings of Georg Lisiewski :. | Conformation | Degollacion de San Juan Bautista | Portrait of Duke Frederico da Montefello and Battista Sfozza | Pollard Willows (nn04) | Venus and Mars |
Related Artists:
Ernest Laurent
(June 8, 1859 -- June 25, 1929) was a French painter and printmaker. He was born in Gentilly and died in Bievre. Laurent was a neo-impressionist artist whose main influences were his instructor Ernest Hebert and his friend Georges Seurat. Laurent took second prize in the Prix de Rome in 1889 and in 1890, Laurent arrived in Rome, where Hebert remained Director of the Academie de France. From Rome, he went to Assisi where he underwent a mystical experience. It would profoundly influence his art. The work he returned to Paris from Assisi was noted for its religious themes. Over time, profound religious devotion influenced his artistic motif and religious symbolism and scenery crept into his work. This aspect of his life ran counter to Seurat's materialism and the two parted ways.
Fiske Warren
Frederick Fiske Warren (2 July 1862-2 February 1938) was a hugely successful Paper Manufacturer, fine arts denizen and major supporter of Henry George's Single Tax system which he helped develop in Harvard, Massachusetts, United States in the 1930's. He was the son of Samuel Dennis Warren and Susan Cornelia Warren of Beacon Hill, Boston, Massachusetts and the brother to Samuel D. Warren (US attorney) and Edward Perry Warren. Born in Waltham, Massachusetts, Fiske was raised in a mansion on 67 Mount Vernon Street[1] in Beacon Hill, Boston, Massachusetts. A philanthropic and highly educated family, the Warren brothers and sisters all enjoyed tranquil childhoods growing up between the family homes in Boston and Waltham, Massachusetts, also known as "Cedar Hill".
Cagnaccio di San Pietro
Italian, 1897-1946,born Natale Bentivoglio Scarpa, was an Italian magic realist painter. He had his artistic training at the Academy of Fine Art in Venice, where he studied under Ettore Tito. Cagnaccio's early paintings were in a Futurist idiom, but by the early 1920s he had adopted a very smoothly brushed, nearly photographic style. His work, which includes portraits, nudes, still lifes, scenes of popular life, and religious pictures, shows the influence of the German painters of the New Objectivity. One of his best-known paintings, After the Orgy (1928) shows three nude women asleep on a floor littered with wine bottles, playing cards and cigarettes.